KOIZUMI Meiro “Prometheus Bound” | Peatixtag:peatix.com,2011:12021-11-15T11:26:16+09:00PeatixAichi Triennale Organizing CommitteeKOIZUMI Meiro “Prometheus Bound”tag:peatix.com,2019:event-7307762019-10-10T14:00:00JST2019-10-10T14:00:00JSTThis is a web-ticketing site in English for AICHI TRIENNALE 2019 Performing Arts Programs KOIZUMI Meiro---------------------------------------------------------------------------------------10.10 Thu ー 10.14 Mon14:00 / 14:30 / 15:00 / 15:30 / 16:00 / 16:30 / 17:00 / 17:30 / 18:00 / 18:30 / 19:00 / 19:30＊There are certain performances and tickets that are not available on Peatix.＊U25 tickets is not available on Peatix. Artist：KOIZUMI MeiroTitle：Prometheus Bound ※New Creation / World Premiere Venues：Large Rehearsal Room, Aichi Prefectural Art TheaterLanguage：Japanese (with English surtitles)Duration：60 min (TBC)• Ticket InformationTicket price：Adults／￥2,000 U25／￥1,500▶Door tickets for adults, U25 cost an additional ¥500.▶Information on door tickets will be announced on our website at a later date. ▶U25 (for ages 25 and under) tickets will be available on the day of the show. Ticket holders must present their ID at the entrance.＊Children below school age are not permitted.＊Childcare services will be available for all programs. Details will be announced at a later date. ＊For wheelchair reservations please call our office at +81-52-971-6127.＊Performers and performances are subject to change without notice. ------------------------------------------------------------------------------------Koizumi Meiro is a video artist who explores the relationships between the state/collective and the individual, and between the human body and emotions. Koizumi examines the mechanisms producing the motivation for violence and self-sacrifice; his video works, which incorporate elements of theater that invite the viewer to experience the emotions of their subjects, are gaining real traction in the theatrical world as well as the art world.Koizumi’s first ever full-fledged theater piece using VR technology, which he is taking on in response to his Aichi Triennale 2019 commission, takes Greek tragedy Prometheus Bound (Aeschylus) as its point of departure. Despite his ability to foresee the future, Prometheus suffered eternal pain for the crime of stealing fire from Zeus and giving it to mankind. In a near future conceived on the basis of this mythical age, the audience will be made to inhabit the senses and emotions of “others” different to themselves. Will it be a utopia or dystopia that we experience through VR’s expansion of our bodies and senses?