YANG YONGLIANG: Fall into Oblivion I Talk and Opening Reception | Peatixtag:peatix.com,2011:12019-11-02T12:45:42+08:00PeatixPearl Lam GalleriesYANG YONGLIANG: Fall into Oblivion I Talk and Opening Receptiontag:peatix.com,2016:event-1569022016-04-02T15:30:00SGT2016-04-02T15:30:00SGTYANG YONGLIANG: Fall into Oblivion Opening Talk: Transforming Urban Image and IdentityTime: Saturday, 2 April 2016, 3:30–4:30pmSpeakers: Yang Yongliang, Randy Chan, Mark GohModerator: Josef NgLanguage: Mandarin and EnglishRSVP is essential, limited seats available Vernissage: Saturday, 2 April 2016, 5-7pmIn conjunction with the exhibition opening of “Fall Into Oblivion”,
this talk aims to examine the changing landscape of cites and how urbanisation
is challenging the identity of a city. Featuring speakers from diverse
backgrounds, Yang Yongliang, Randy Chan and Mark Goh each have their own
approach to understanding the phenomena of urbanisation. Artist Yang Yongliang
deeply roots his practice in concerns relating to a city’s identity, while
Randy Chan and Mark Goh are masterminds of major public projects and are well
recognised in both the fields of architecture and contemporary art. This talk
weaves a cross-cultural narrative to explore the global tendencies of urban
living. The conversation will be moderated by Josef Ng, the exhibition curator.Speakers:Yang YongliangArtist Based in Shanghai, the artist is best known for the intricate
landscapes he creates by integrating layers upon layers of urban and natural
images together. Drawing from his formal education in the art of traditional
Chinese shan shui (山水)
painting, Yang’s work exudes a strong sense of traditional aesthetics, although
he continually engages with the modern through his choice of media and content.
Poetic and quaint as they appear from a distance, his landscapes unfold
themselves as a fable of the development of modern civilisation upon closer
views.Randy ChanDirector/Principal, Zarch CollectivitiesRandy takes a multidisciplinary architectural approach to his
projects and specialises in the convergence between art and architecture. He
has won numerous awards for his commercial projects and is also actively
involved in art projects. His personal works have been exhibited at the
Singapore Art Museum and Palais de Tokyo, Paris. He was the Creative Director
of Singapore: Inside Out, a travelling showcase which was exhibited in
Beijing, London, New York and Singapore in celebration of SG50. He also curated
iLight Singapore 2016, which ensembled more than 20 light installations
from local and international artists.Mark GohUrban Planner and Art CollectorMark received his architecture training at Cornell and Columbia
University and has been involved in urban planning and development in Singapore
for over 15 years. Mark is also a passionate collector with his partner;
together, they have built up the MaGMA Collection, which consists of more than
400 works by contemporary artists from China and Southeast Asia. Selected works
from the collection have been exhibited in Singapore in 2010 and in Paris in
2014. YANG YONGLIANG: Fall into OblivionPearl Lam Galleries is pleased to present a solo exhibition by
Chinese artist Yang Yongliang, opening on 2 April, 2016. The exhibition is
a blend of moving image, photography, and painting, which showcases the
expansive size and scope of Yang’s artistic practice. Through his works,
the artist examines cultural and personal memory, highlighting moments of
alignment—and discord—between the two.The main highlight, Yang’s full-length film Fall into Oblivion, will
make its Southeast Asian debut at the exhibition. Dressed in kendo armour
and chasing after a tripedal raven guide, the protagonist in Yang’s film
takes the audience on a journey through a timeless dreamscape. The film’s
narrative is influenced by Yang’s reading of Tao Yuanming’s “Peach Blossom
Spring”, in which the protagonist chances upon a utopian society detached
from the urbane world. The armoured kendo warrior is anonymous and stands
as a solitary figure amidst a busy metropolis. Though dignified in his
armour, his mind is selfenclosed. He is alone and detached from the chaos
of urban civilisation. The film also engages with what has been referred
to as Zhuangzi’s great dream, where the melding of his lucid dreams as a
butterfly with his waking life as a human being leads him to question the
existence of any sort of reality.
Exhibition Dates: 2 April–2 May, 2016 Tuesday–Saturday, 11am–7pm;
Sunday, 12–6pm
Venue: Pearl Lam Galleries, 9 Lock Road, #03-22, Gillman Barracks, Singapore
108937